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	<title>innovativesynthesis.com &#187; Basic Guide To Synthesizers</title>
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	<description>All about synthesisers</description>
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		<title>Basic Sound Synthesis: Part 7 – Miscellaneous Stuff</title>
		<link>http://www.innovativesynthesis.com/basic-sound-synthesis-part-7-%e2%80%93-miscellaneous-stuff/</link>
		<comments>http://www.innovativesynthesis.com/basic-sound-synthesis-part-7-%e2%80%93-miscellaneous-stuff/#comments</comments>
		<pubDate>Tue, 13 May 2008 19:17:13 +0000</pubDate>
		<dc:creator>Derrick</dc:creator>
				<category><![CDATA[Basic Guide To Synthesizers]]></category>

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		<description><![CDATA[Monophonic/Polyphonic: Early synthesizers were only capable of producing one note at a time, but through evolution of technology they became more and more powerful (and cheaper to produce), to the point that modern synthesizers can play a near-infinite amount of notes simultaneously (like a piano). However, most synthesizers still have the option of playing in [...]]]></description>
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		<title>Basic Sound Synthesis: Part 6 &#8211; Arpeggiators and Sequencers</title>
		<link>http://www.innovativesynthesis.com/basic-sound-synthesis-part-6-arpeggiators-and-sequencers/</link>
		<comments>http://www.innovativesynthesis.com/basic-sound-synthesis-part-6-arpeggiators-and-sequencers/#comments</comments>
		<pubDate>Tue, 13 May 2008 19:17:00 +0000</pubDate>
		<dc:creator>Derrick</dc:creator>
				<category><![CDATA[Basic Guide To Synthesizers]]></category>

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		<description><![CDATA[Arpeggiators and sequencers have been part of synthesizers since the 1970s, when basic patterns could be played without having to manually press the keys down, allowing complex melodies to be played with 100% accuracy at any speed. Nowadays, sequencers and arpeggiators have become infinitely more complex, mostly due to the fact that they are programmable [...]]]></description>
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		<title>Basic Sound Synthesis: Part 5 – Effects Part 2</title>
		<link>http://www.innovativesynthesis.com/basic-sound-synthesis-part-5-%e2%80%93-effects-part-2/</link>
		<comments>http://www.innovativesynthesis.com/basic-sound-synthesis-part-5-%e2%80%93-effects-part-2/#comments</comments>
		<pubDate>Tue, 13 May 2008 19:16:43 +0000</pubDate>
		<dc:creator>Derrick</dc:creator>
				<category><![CDATA[Basic Guide To Synthesizers]]></category>

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		<description><![CDATA[Distortion: A popular effect when used on electric guitars, distortion is the process of boosting the synthesizers signal over the limit, to the point where it clips and can remove parts of the audio range. It is also possible to distort signals so that additional harmonics in the frequency range are created. Distortion, or ‘overdrive’, [...]]]></description>
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		<title>Basic Synthesis: Part 4 – Effects Part 1</title>
		<link>http://www.innovativesynthesis.com/basic-synthesis-part4-effects-part1/</link>
		<comments>http://www.innovativesynthesis.com/basic-synthesis-part4-effects-part1/#comments</comments>
		<pubDate>Tue, 13 May 2008 19:16:21 +0000</pubDate>
		<dc:creator>Derrick</dc:creator>
				<category><![CDATA[Basic Guide To Synthesizers]]></category>
		<category><![CDATA[Chorus]]></category>
		<category><![CDATA[Detuning Oscillators]]></category>
		<category><![CDATA[Unison]]></category>

		<guid isPermaLink="false">http://www.innovativesynthesis.com/?p=7</guid>
		<description><![CDATA[Effects, while not technically a stage of any form of subtractive music synthesis, are commonly found on the end of most signal paths from synthesizers. Effects can come in an internal form (built into your synthesizer), and in an outboard form (where it is a separate effects box, such as a rack mount unit or [...]]]></description>
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		<title>Basic Synthesis: Part 3 – Envelopes</title>
		<link>http://www.innovativesynthesis.com/basic-synthesis-part-3-%e2%80%93-envelopes/</link>
		<comments>http://www.innovativesynthesis.com/basic-synthesis-part-3-%e2%80%93-envelopes/#comments</comments>
		<pubDate>Tue, 13 May 2008 19:13:39 +0000</pubDate>
		<dc:creator>Derrick</dc:creator>
				<category><![CDATA[Basic Guide To Synthesizers]]></category>

		<guid isPermaLink="false">http://www.innovativesynthesis.com/?p=6</guid>
		<description><![CDATA[Envelopes are the key to the articulation of your sound. Without them your patch will immediately start off at full blast, and stay there, and then disappear all of a sudden when you let go of the key. Envelopes, although difficult to understand at first allow you to change that, so you can create expressive [...]]]></description>
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		<title>Basic Synthesis: Part 2 – Filters</title>
		<link>http://www.innovativesynthesis.com/basic-synthesis-part-2-%e2%80%93-filters/</link>
		<comments>http://www.innovativesynthesis.com/basic-synthesis-part-2-%e2%80%93-filters/#comments</comments>
		<pubDate>Tue, 13 May 2008 19:12:58 +0000</pubDate>
		<dc:creator>Derrick</dc:creator>
				<category><![CDATA[Basic Guide To Synthesizers]]></category>

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		<description><![CDATA[Filters are one of the most important parts of sound creation, and they are a foundation to the whole concept of ‘subtractive’ synthesis. The filters do exactly that – they filter out part of the sound, leaving you with a reduced portion of it, which sounds very different to the whole portion. The main control [...]]]></description>
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		<title>Basic Synthesis: Part 1 – Oscillators</title>
		<link>http://www.innovativesynthesis.com/basic-synthesis-part-1-%e2%80%93-oscillators/</link>
		<comments>http://www.innovativesynthesis.com/basic-synthesis-part-1-%e2%80%93-oscillators/#comments</comments>
		<pubDate>Tue, 13 May 2008 19:10:19 +0000</pubDate>
		<dc:creator>Derrick</dc:creator>
				<category><![CDATA[Basic Guide To Synthesizers]]></category>

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		<description><![CDATA[Without oscillators, your synthesizer will make no sound (well, actually it can - but that's in a future article). Oscillators produce the original sound which you can hear in your patches, which is then fed through the rest of the signal path in the synthesizer. Oscillation itself is the production of a certain type of [...]]]></description>
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